Young Artists Program

June 15-July 4, 2025

Seth Knopp and Mimi Hwang, Artistic Directors

For outstanding musicians ages 13-20
Strings, Woodwinds, Piano, Percussion, and Composition

About the Young Artists Program

One of the most beautiful aspects of any program for young artists is the passion and the trust that belong, in unique ways, to musicians just beginning to imagine what a life in music can be. The very first edition of Yellow Barn’s Young Artists Program was in 1997. It brought fifteen musicians, twenty years old and younger, to Yellow Barn for just a single week of intense work, but the excitement of a shared connection to music fueled their need to be in each other’s company for longer, and that small troupe of musicians asked me to extend their time together the following summer.

Almost three decades later, our YAP gives its musicians three weeks filled with chamber music organized in overlapping projects, a rich and challenging experience that asks participants to live a life with music as its primary focus, both artistically and practically.

Instrumentalists rehearse with both faculty members and peer musicians, perform two established works of the chamber music repertoire, premiere two new works by YAP composers, and perform a work by a Yellow Barn visiting composer. Rehearsing a varied repertoire throughout the program encourages a sense of artistic responsibility and independence, while daily chamber music coachings and frequent individual lessons help to guide participants and provide a safety net for their development.

Composition has been a fundamental component of YAP since its founding, and has become a model for programs at major conservatories and universities, as well as for other summer festivals. YAP composers are completely integrated into the program, collaborating with instrumentalists, including faculty members, to bring their work to life in performance.

Yellow Barn’s Young Artist Program promotes innocence in our work and imperfection in the ways that bring growth, defines goals as ever-deepening exploration, and embraces the process of learning and making and listening to music as the most fulfilling parts of our artistic lives.

—Seth Knopp, Artistic Director

Answers to FAQs

Where is Yellow Barn?
Yellow Barn is located in Putney, Vermont. Putney is 3.5 hours from New York City, and 2.5 hours from Boston.

How long is the Young Artists Program?
YAP is a three-week program. The 2025 program runs from June 15 through July 4.

What does the program include?
YAP provides an introduction to what a life in music can be, both artistically and practically:

—Five performances (two established works of chamber music, two premieres of works by YAP composers, and a work by a visiting composer), professionally recorded for future use
—Rehearsing and performing with a YAP faculty member
—Working directly with a visiting composer
—Daily chamber music coachings
—Individual lessons with YAP faculty members and visiting artists

What does the Young Artists Program offer to composers?
Fully integrated into the program, YAP composers receive:

—Two world premiere performances, professionally recorded for future use
—Daily rehearsals with ensembles to develop new works
—Coachings with YAP faculty members
—Daily composition seminars and lessons, including with visiting composers

What is the cost?
Tuition, room, and board: $3,350. Scholarship assistance is available based on financial need.

Is a live audition required?
Live auditions are strongly encouraged. However, if you are unable to travel to a live audition location, video applications are acceptable.

2025 Application Deadlines

January 8—Live auditions Europe & UK
January 19—Live auditions US & Canada
January 19—Video auditions
January 19—Composer applications
March 1—Results announced

Live Audition Schedule

Europe & UK
Basel - January 12
Berlin - January 14
Amsterdam - January 16
Frankfurt - January 18
London - January 20

US & Canada
Boston - January 23-24
Montreal - January 26
New York City - January 30-31, February 5-6
Los Angeles - February 2
San Francisco - February 3
New Haven - February 8 (YSM students only!)
Chicago - February 10
Houston - February 11

Fees & Application Information

Application Fee:

$75 (application fee increases by $10 after December 25 for Europe, or after January 5 for all other auditions)

Application fee is non-refundable and due with application.

Tuition, including room & board:

$3,350

Tuition is due in full by April 15, 2025, and non-refundable after May 1, 2025.

Scholarship assistance is available based on financial need. Those wishing to apply for assistance will be able to do so after application results are announced.
 
About Acceptd

Yellow Barn has moved its online admissions process to Acceptd. Here’s why:

- Applicants can apply for a fee waiver, which we haven't been able to offer previously

- Applicants can change audition times themselves as often as needed

- Applicants do not have to collect letters of recommendation directly. Recommenders will use the Acceptd site to submit information.

- Applicants can switch programs without having to reenter application information

- Applicants can store information for future applications with any festival or school that uses the Acceptd platform.

If you have questions about how to apply for a fee waiver, or any other aspect of Acceptd, please contact Melody Lin, Director of Admissions, at melody@yellowbarn.org.

Live Audition Requirements

Applicants should prepare two works, or substantial movements from two different works, that make distinct technical and interpretive demands on you as a player. Live auditions are typically 20 minutes in length but may vary from audition to audition.

Strings and Winds: Audition selections can include duo sonatas or concertos, but must be presented with piano parts or orchestral reductions. For pieces with accompaniment, applicants must perform with their own pianists.

Percussion:

Please be prepared to play one work (or movements as indicated) from each of the following categories:
 
1. Any movement from one of Johann Sebastian Bach's Cello Suites, Violin Sonatas, or Partitas
 
2. Keyboard Percussion
George Hamilton - Green Xylophone Rags
Keiko Abe - Michi; Variations on Japanese Children's Songs; Wind in the Bamboo Grove; or another Abe work of your choice 
Akira Miyoshi - Conversation 
Ross Edwards - Marimba Dances (at least one of the 3 movements)
Eric Sammut - Four Rotations (at least one of the 4 movements)
Paul Smadbeck - Rhythm Song
(or equivalent)
 
3. Snare Drum or Multi-Percussion
Jacques Délécluse - Douze Etudes (at least two of the etudes)
Anthony Cirone - Portraits in Rhythm (at least two of the etudes)
Rick Tagawa - Inspirations Diabolique
Iannis Xenakis - Rebonds a or Rebonds b
Frederic Rzewski - To the Earth
Dave Hollinden - Cold Pressed
(or equivalent)

Video Audition Requirements

Live auditions are strongly encouraged. However, if you are unable to travel to a live audition location, video applications are acceptable. Applicants should submit a video recording of three works, or substantial movements from three works. For pieces with accompaniment, applicants must perform with their own pianists. Videos must be uncut and unedited.

Two of the three videos must be made after October 1, 2024. One video may be a recording from anytime after November 1, 2023.
 
Composer Application Requirements
 
Composer applicants should submit three recent scores, preferably with recordings.

2025 Young Artists Program Faculty

Violin
Meg Freivogel
Eunae Koh
Nicholas Mann

Viola
Mai Motobuchi
Rosemary Nelis

Cello
Mimi Hwang
Jean-Michel Fonteneau
Raman Ramakrishnan

Piano
Anna Han
Seth Knopp

Percussion
Jihye Jung
Ayano Kataoka
Terry Sweeney

Composition
Stephen Coxe

Guest Composers
Katherine Balch
Anthony Cheung
Ted Rosenthal