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2021 Summer Season

Samuel Barber (1910-1981) String Quartet Op.11, Adagio (1936)
James Wood (b.1953) Rogosanti (Healing) (1986)
Toshio Hosokawa (b.1955) Im Nebel (In the Fog) (2013)
Kaija Saariaho (b.1952) Oi Kuu (1990)
Dai Fujikura (b.1977) The Voice (2007)
Steven Mackey (b.1956) Cairn (1994)
Toru Takemitsu (1930-1996) And then I knew ’twas Wind (1992)
Gabriel Fauré (1845-1924) Cello Sonata No. 2 in G Minor, Op.117 (1921)
Hans Abrahamsen (b.1952) Six Pieces (1984/2012)
Leos Janácek (1854-1928) From Hukvaldy and Moravian Folk Poetry in Song (1898/1908)
J.S. Bach (1685-1750) Amore traditore (Treacherous love), Cantata BWV 203 (1718-9)
György Ligeti (1923-2006) Síppal, dobbal, nádihegedüvel (With Pipes, Drums, Fiddles) (2000)
Thomas Adès (b.1971) The Four Quarters (2010)
J.S. Bach (1685-1750) "Schafe können sicher weiden" ("Sheep May Safely Graze") from Cantata BWV 208 (1713)
Tigran Mansurian (b.1939) Agnus Dei (2006)
Jerod Impichchaachaaha' Tate (b.1968) Standing Bear: A Ponca Indian Cantata in Eight Tableaux (2015)
Earl Kim (1920-1998) Scenes from a Movie, Part 1, The Seventh Dream (1986)
Eric Nathan (b.1983) Toying (2012)
Brett Dean (b.1961) Seven Signals (2019)
Coleridge-Taylor Perkinson (1932-2004) Movement for String Trio (2004)—Gideon Klein (1919-1945) String Trio (1944)
György Kurtág (b.1926) Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs, Op. 37a (1996/1999)
Friedrich Cerha (b.1927) Musik für Posaune und Streichquartett (2004-5)
Claude Vivier (1948-1983) Hymnen an die Nacht (1975)
Arnold Schoenberg (1874-1951) Verklärte Nacht (Transfigured Night), Op.4 (1899) (arr. Eduard Steuermann, 1932)
Sebastian Currier (b.1959) Night Time (1998)
Ludwig van Beethoven (1770-1827) Violin Sonata in G Major, Op.96 (1812)
Jörg Widmann (b.1973) String Quartet No. 7 (Beethoven – Study II) (2020)
James MacMillan (b. 1959) "T.S. Eliot (1888-1965)" from ...as others see us... (1990)
Sofia Gubaidulina (b. 1931) Hommage à T.S. Eliot (1987)
Ludwig van Beethoven (1770-1827) String Quartet in B-flat Major, Op.130 (1825-6)
James MacMillan (b. 1959) Motet II (2012)
James MacMillan (b. 1959) Motets III, IV, V (2012)
James MacMillan (b. 1959) in angustiis... I (2001)
James MacMillan (b. 1959) Tuireadh (Lament) (1991)
Mario Davidovsky (1934-2019) Salvos (Saved) (1986)

Check back soon. More videos from 2021 are being added throughout the fall!

2020 Summer Season

Watch Yellow Barn's 2020 Summer Concert Streams from the Big Barn.

2019 summer season

Andrew Hamilton O'ROURKE
Wolfgang Amadeus Mozart Concerto No. 12 in A Major for piano and string quintet, K.414
Eric Nathan Some Favored Nook
Claude Debussy Danses sacrée et profane (Sacred and Profane Dances)
Igor Stravinsky The Rite of Spring
Elliott Carter Saëta (Arrow) from Eight Pieces for Four Timpani
Anna Thorvaldsdottir Ró (Serenity)
Simon Bainbridge Four Primo Levi Settings
Stefan Wolpe Arrangements of Six Yiddish Songs
Eugène Ysaÿe Trio à cordes “Le chimay,” Op. posth.
André Previn Vocalise
Antonín Dvořák Violin Sonata in F Major, Op.57 (B.106)
Salvatore Sciarrino Tre duetti con l'eco (Three Duets with an Echo)
Sándor Veress Memento
Earl Kim Where Grief Slumbers
Tōru Takemitsu Orion
Harrison Birtwistle Crescent Moon over the Irrational
Stephen Coxe About That Time
Jörg Widmann Fieberphantasie (Fever Fantasy)
Brett Dean Recollections
Clara Schumann Romance in A Minor, Op.21
Brett Dean Equality
Brett Dean Huntington Eulogy
Benjamin Britten Winter Words, Op.52
Brett Dean String Quartet No. 2 “And once I played Ophelia”
Philippe Schoeller Isis II
Mark Applebaum Control Freak
Frédéric Chopin Rondo in C Major for Two Pianos, Op. posth. 73
Brett Dean Winter Songs
John Cage Dream

2018 summer season

George Frideric Handel Concerto Grosso in D Major, Op.6 No.5, HWV 323J
John Cage Solo for Voice 15 from Song Books
Einojuhani Rautavaara Ballad for Harp and Strings
Liza Lim Love Letter
Gustav Mahler Lieder eines fahrenden Gesellen “Songs of a Wayfarer”
John Cage Experiences No.2
Salvatore Sciarrino Le voci sottovetro
Hans Abrahamsen Liebeslied
Philippe Hersant Usher
Stephen Coxe Entretien
Oliver Knussen Triptych
Wolfgang Amadeus Mozart String Quintet in G Minor, K.516
César Franck Piano Quintet in F Minor
Antonín Dvořák Piano Trio in G Minor, Op.26
Chinary Ung Spiral
Alexandre Lunsqui Deflectere II
Shulamit Ran Moon Songs, a song cycle in four acts
Béla Bartók Violin Sonata No.2, Sz.76
György Kurtág 12 Microludes for String Quartet, Op.13
Benjamin Britten String Quartet No.1 in D Major, Op.25
Christopher Rouse Compline
Franz Schubert Fantasie in F Minor, D.940
Alexander Raskatov Monk's Music, Seven Words by Starets Silouan
Steven Mackey Heavy Light
Nicholas Maw Roman Canticle
Maurice Ravel Ballade de la reine morte d'aimer “Ballad of the queen who died of love”
Harrison Birtwistle 9 Settings of Lorine Niedecker 
Steven Mackey Ars Moriendi, nine tableaux on the art of dying well 
Matthew Burtner Coral Attraction
Steven Mackey Fusion Tune
François Sarhan Situation No.7 (Imagination) 
Mauricio Kagel Exotica 
Steven Mackey Four Iconoclastic Episodes
Ludwig van Beethoven String Quartet in F Major, Op.135
Mark Applebaum Aphasia 
Sofia Gubaidulina Perception, for soprano, baritone, string septet, and tape 
Erich Wolfgang Korngold Suite, Op.23
Steven Mackey On All Fours
Jacob Druckman Bō
Arnold Schoenberg Phantasy, Op.47
Luciano Berio O King
Edison Denisov Clarinet Quintet 
Leon Kirchner String Quartet No.4
Luciano Berio Folk Songs
Elliott Carter String Quartet No.1 
Viktor Suslin Grenzübertritt “Crossing Beyond”
Béla Bartók The Miraculous Mandarin, Op.19, Sz.73 (BB 82)
Dieter Ammann A(tenir)tension 
Johannes Brahms Piano Quartet in G Minor, Op.25 
Cathy Berberian Stripsody 
Arnold Schoenberg Notturno

2017 summer season

In advance of Yellow Barn's 2018 Summer Gala, The Westerlies offer the following notes for their program with Theo Bleckmann, Songs of Refuge and Resistance, which was developed during a Yellow Barn Artist Residency in June 2018:

In June of 2018, Theo Bleckmann and The Westerlies worked in residence at Yellow Barn to pair songs of resistance with songs of refuge, seeking to balance music’s integral role in protest movements with the power of songs to provide internal solace amidst external turmoil.

This balance is perhaps no better demonstrated than in the two pieces that bookend the evening, those of Joni Mitchell and Judee Sill. Joni Mitchell first recorded The Fiddle and the Drum on her 1969 album Clouds, and its anti-war message has been associated with a number of resistance movements since the 60’s. A contemporary of Mitchell, Sill released two albums in the early 1970’s before her untimely death from drug overdose in 1979. Her 1973 song The Kiss is a demonstration of her remarkable lyricism and Bach-influenced harmonic sensibility.

The protest song is given a fresh, new take in the work of American composer Phil Kline. A veteran of New York’s downtown scene, Kline’s work has been hailed for its originality, beauty, subversive subtext, and wry humor. 3 Rumsfeld Songs come from his 2004 work Zippo Songs, a statement on war and the politics of war based on the Pentagon briefings of Defense Secretary Donald Rumsfeld. The song cycle was written for Theo Bleckmann and was one of the most talked-about records of 2004, winning “Best of the Year” citations throughout the world, from The New York Times to The Guardian, from CNN to NPR. His song Thoughts and Prayers was written for Theo Bleckmann and The Westerlies during their June 2018 residency at Yellow Barn, and sets the words of Marjory Stoneman Douglas High School survivor and activist Emma Gonzalez’s speech addressing the NRA.

Two original pieces in the program by members of The Westerlies draw on their inspiration from the world of poetry. Trombonist Andy Clausen’s Land was composed while in residence at Yellow Barn in June 2018, and sets words from Agha Shahid Ali’s poem of the same title. Exploring the complexities of life as an Indian-American immigrant, Agha’s work colorfully illustrates the thematic and cultural poles of past and present; America and India, Islamic and American geography, American cities and former American Indian tribes. Trumpeter Riley Mulherkar’s Looking Out is a reflection on the poem of the same name by Japanese-American activist, feminist, essayist, and poet Mitsuye Yamada. Born in Japan, Yamada spent most of her childhood in Seattle until 1942, when her father was arrested by the FBI for espionage and she was interned at the Minidoka War Relocation Center in Idaho. The poem “Looking Out” comes from her 1992 work Camp Notes and Other Writings, and is juxtaposed here with text from FDR’s Executive Order 9066, which authorized the Secretary ofWar to prescribe certain areas as military zones and cleared the way for the incarceration of 120,000 men, women, and children of Japanese ancestry.

True to their Seattle roots, The Westerlies find another voice of resistance in Pacific Northwest history in Joe Hill, a Swedish-American immigrant and laborer who rose to prominence as an organizer for the Industrial Workers of the World. As Hill and other IWW organizers traveled to lumber and construction camps throughout the west, they would often encounter missionaries from the Salvation Army who were attempting to convert the local migrant workers to Christianity. One of the Salvation Army’s (referred to fondly by the IWW as the “Starvation Army”) most popular hymns was “In the Sweet By and By”; in response to the Salvation Army’s overtures to the migrant workers, Joe Hill, a gifted songwriter himself, wrote a parody version of “In the Sweet By and By” called “The Preacher and the Slave”. Trombonist Willem de Koch’s arrangement juxtaposes the two songs side-by-side, highlighting Hill’s witty, cynical lyrics. 

Early in their development as an ensemble, The Westerlies found mentorship in Seattle-based composer and pianist Wayne Horvitz; their first performance was at his Seattle club The Royal Room, and their first recording was their 2014 album of his compositions, Wish The Children Would Come On Home. These two Horvitz pieces come from his 2012 work Smokestack Arias, a song cycle for soprano voice, piano and pre-recorded electronics and accompanied by dance performances with text by Robin Holcomb. Inspired by the 1916 labor uprising and resultant deaths, now known at the Everett Massacre, each song portrays the perspective of a different woman affected by the uprising and the deaths of the slain protesters, giving a personal account of a seminal event in the history of the Pacific Northwest labor movement. 

Perhaps no voice is more associated with American protest songs than that of Woody Guthrie, and his voice is channeled through The Westerlies in many iterations. One of the songs, entitled Tear the Fascists Down was recorded in 1944 but never released until 2009, when master discs of Stinson Records were discovered in a Brooklyn apartment. At the same time that Guthrie was writing his songs, Bertolt Brecht was a prominent international voice of freedom. His poem “Bitten der Kinder” was written in 1951 and set to music by Paul Dessau, originally written to be sung by a children’s choir but arranged here by Riley Mulherkar.

Amidst these voices of resistance, the original songs of refuge by members of the ensemble shine. Another Holiday by Theo Bleckmann, was written in June of 2016 shortly after the mass shooting atPulse nightclub in Orlando, Florida. Says Bleckmann, “Unlike my often long and intensely critical editing processes when writing music, ‘Another Holiday’ seemed to appear almost fully formed. This is a not a protest song but a song about being without refuge, of being isolated from your family because of whom you love.” Also bringing familial relationships into the program is Andy Clausen, who wrote Grandmar in November of 2017, shortly after the passing of his grandmother. Says Clausen, “the piece is a meditation on the challenges of loving someone with whom you have vehement political disagreements.”

The theme of refuge is exemplified in Wade in the Water, a well-known spiritual work song from the Underground Railroad. The meditative melody is a hymn of resistance and unification, originating from one of the (many) dark times in the African American struggle. Theo Bleckmann arranges it here next to Look for the Union Label, a TV commercial song from the Union of Needletrades, Industrial and Textile Employees (formerly the International Ladies' Garment Workers' Union and other unions). Composed by R&B Soul artist Malcolm Dodds to a lyric by advertising executive Paula Green, the melody seems to strongly reference Jerome Kern’s Look for the Silver Lining.

Theo Bleckmann and The Westerlies would like to thank Yellow Barn for making this program possible.